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 Billie Whitelaw QuotationAbout how she found her cottage in Suffolk: "I ended up at an estate agent's in Sudbury and the chap, knowing I was an actress and imagining that I had Elizabeth Taylor finances, brought out details of all these places that Paul Getty would have been happy with. I said to him: 'Now, listen. Most of my parts are played at the Royal Court or the RSC and I barely make enough to pay my parking tickets. What I'm after is something totally run down, something that no one else would touch.' - He said: 'Get in the car.' And he drove me here." Movie Title: The Dark Crystal (1982) as Aughra: Aughra : What was sundered and undone shall be whole - the two made one. Aughra : End, begin, all the same. Big change. Sometimes good. Sometimes bad. Aughra : Mouldy mildew, mother of mouthmuck, dangle and strangle and death. Aughra : Another Great Conjunction coming up! Anything could happen! Whole WORLD might burn up! [snorts] Aughra : End of Aughra! Hm! Aughra : Ya look like Gelfling... [sniffs] Aughra : SMELL like Gelfling... [sniffs] Aughra : maybe y'ARE Gelfling! Aughra : Where is he? Jen : He's dead. Aughra : Could be anywhere, then. Movie Title: The Omen (1976) as Mrs Baylock: Mrs Baylock : Have no fear little one... I am hear to protect thee. Movie Title: The Last of the Blonde Bombshells (2000) as Evelyn: Evelyn : Any news on Gwen? Dinah : If she doesn't show, we'll kill her. You'll see to it, right babe? Betty : There's a fellow comes in the bar, he's in that line of work. Movie Title: Merlin (1998) as Ambrosia: Ambrosia : And you can tell Her Royal High and Mighty Queen Mab that magic or no magic, if she harms you in any way, I'll have her guts for my boot laces. Ambrosia : Magic has no power over the human heart. Ambrosia : You've been sliding down the ladder of success so quickly these last few years you must have got splinters in your backside. Movie Title: The Krays (1990) as Violet Kray: Violet Kray : Shall I tell you my dream? I dreamed that I was a beautiful white swan. And I could fly anywhere, do anything. I ate fish and pecked at things with my beak. And I had this egg, a beautiful egg it was. And there were noises coming from inside the shell. And do you know what the noises were? They were - now listen carefully - they were children's voices. And I looked after this egg and kept it safe, until one day there was a hatching sound. And out came two boys and they were mine. And they were wonderful and they were perfect. [to Ronnie and Reggie, aged three] Violet Kray : Who loves you, eh? That's right, Mummy loves you, you little monsters. Mummy loves you more than anything - more than all the cakes, more than all the jewellery, more than all the chocolate in the world. Rose : I was on the bus the other day. And some old toerag was boasting about all he'd suffered during the war. Stupid old... I tell you, they don't know. It was the women who had the war - the real war. The women were left at home in the shit, not sitting in some sparkling plane or gleaming tank. There's no glamour for us. They should have been with me when old Pauline Woolley went in to labour. D'you remember that, Violet? Violet Kray : Yes, yes I do, darling. Rose : Seven hours of screaming down Bethnal Green bloody tube station. Then I had to cut the baby's head off - to save the mother's life. She died anyway, poor old cow. God, there was so much blood! Jesus! And the abortions. Those poor girls. One day they'll drain Victoria Park lake. And you know what they'll find? What glorious remnants of the Second World War? Babies, that's what. Bullets and dead babies. Men! Mum's right. They stay kids all their fucking lives. And they end up heroes - or monsters. Either way they win. Women have to grow up. If *they* stay children, they become victims. |
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