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 Lili Taylor QuotationMovie Title: Dogfight (1991) as Rose: Rose : It's just really nice to talk to someone. Really nice. Waiter: Are you ready to order? Rose : Yes, goddammit. I'm going to have the fucking poached salmon, with the son-of-a-bitching rice, and a dirty bastard salad with a shitload of Roquefort dressing. Thank you. And um, who knows what this asshole wants. Eddie Birdlace : Uh, I'll just take a fucking beer. Eddie: Where's our FUCKING drinks? Rose : You boys sure like to swear. Eddie: No, we just like to drink. Movie Title: The Haunting (1999) as Eleanor "Nell" Vance: Eleanor "Nell" Vance : Purgatory is over, you go to hell. Theo : Isn't this based on the Gates of Hell, by Rodin? Eleanor "Nell" Vance : Well, It's not just hell. You see these children are reaching up for heaven, but their souls are still trapped in purgatory. And these are the demons, who can stay with their souls for as long as they want. Theo : Did you study art? Eleanor "Nell" Vance : No, I studied purgatory, I was there once for eleven years. Eleanor "Nell" Vance : Have you ever kept something for yourself because you were afraid? Theo : All the time. Mrs. Dudley : I set dinner on the dining room sideboard at six. Breakfast is ready at nine. I don't stay after dinner. Not after it begins to get dark. We live in town, nine miles, so there won't be anyone around if you need help... Eleanor "Nell" Vance : We couldn't even hear you. Mrs. Dudley : No one could. No one lives any nearer than town... Eleanor "Nell" Vance : No one will come any nearer than that. Mrs. Dudley : In the night... Eleanor "Nell" Vance : In the dark. Jane : Come live with us Nell; you have no idea how hard it is out there. Eleanor "Nell" Vance : No Jane, you have no idea how hard it was in here. Eleanor "Nell" Vance : Why do you need so many chains? Mr. Dudley : That's a good question. What is it about fences? Sometimes the people on either side of the fence see a lock chain, they feel a little more conforted, why do you suppose that is? Theo : Hi. Don't worry I'm not an obsessive packer it's just a cheap and exploitative way of making new friends, I'm Theo. Eleanor "Nell" Vance : Eleanor, but everybody calls me Nell. Theo : Well, "Everybody Calls Me Nell", don't you love it here? It's like Charles Foster Kane meets the Munsters. Eleanor "Nell" Vance : You know all my life, I have been waiting for an adventure. I thought it would never happen to me. I mean adventures are for Soldiers, or for bullfighters, the women fall in love with. Now, here I am. Paintings are moving and strange voices are calling for me at night, and all it cost me was FIVE GALLONS OF GAS. Eleanor "Nell" Vance : HE KILLED THEM. Hugh Crane. It's just like you said; He wanted to fill the house with the laughter of children. He took from mills and brought them here, but he wouldn't let them go. HE WOULD NEVER LET THEM GO. Dr. David Marrow : Eleanor, none of this is real. Eleanor "Nell" Vance : Yes, it is real. Dr. David Marrow : It's not real. Eleanor "Nell" Vance : You have to go look for the bones in the fireplace Dr. David Marrow : It's not real. Eleanor "Nell" Vance : I saw... I saw his wife hanging in the greenhouse, I know, I saw it. Dr. David Marrow : No we'll be all gone, and the Dudley's will arrive in the morning and we can go. All of you. Eleanor "Nell" Vance : I can't believe you're not gonna look. Theo : Ok, that's enough of you; I'm taking her upstairs. I think you've done enough. Eleanor "Nell" Vance : You'll never gonna believe how I found them. Theo : How did you find them? Eleanor "Nell" Vance : The blood led me to the bookcase. Theo : The blood? Eleanor "Nell" Vance : Little footprints in blood. Theo : Nell, I'm worried about you. Jane : Also, we know how much you loved Mom's car so we're giving it to you. Eleanor "Nell" Vance : you're taking away my home, and giving me a twenty year old car? Who are you? Luke : I don't know, I just think Dr. Marrow's up to something. And you know what, I'm going to find out. Right after I check on Theo that is. I wonder how she's doing. Eleanor "Nell" Vance : Doing or wearing? Luke : Yeah no kidding. Did you see what she had on yesterday? Hey I definitely got a soft spot for Theo. Movie Title: I Shot Andy Warhol (1996) as Valerie Solanas: Valerie Solanas : Give me fifteen cents, and I'll give you a dirty word. Maurice Girodias : What's the word? Valerie Solanas : Men. Valerie Solanas : You got to go through a lot of sex to be ready for anti-sex. Movie Title: Say Anything... (1989) as Corey Flood: Corey Flood : That'll never be me, that'll never be me. That'll never be, never be me. NO... NO, NEVER, NEVER, EVER. And don't you EVER THINK IT. Corey Flood : Brains stick with brains. The bomb could go off and their mutant genes would form the same cliques. Corey Flood : Diane Court doesn't go out with guys like you. She's a brain. D.C. : Trapped in the body of a game-show hostess. D.C. : Lloyd, why do you have to be like this? Lloyd Dobler : 'Cause I'm a guy. I have pride. Corey Flood : You're not a guy. Lloyd Dobler : I am. Corey Flood : No. The world is full of guys. Be a man. Don't be a guy. Corey Flood : Hi Joe, How are you? I love you. Joe : I love you too. Corey Flood : You invade my soul Joe : I want to get back together, Mimi is gonna go to college and I'm gonna be alone and I'm gonna break up with her before she leaves, have sex with me. Lloyd Dobler : I'm gonna take Diane Court out again. Corey Flood : Well, that's unlikely. Lloyd Dobler : Is the movies a good second date? You know, as a date? Corey Flood : Well, you never had a first date. Lloyd Dobler : Yes we did. I sat across from her at a mall. We ate together. We ate. That's eating. Sharing an important physical event. Corey Flood : That's not even a scam. Lloyd Dobler : What's a scam? Corey Flood : Going out as friends. D.C. : No, it's not. Scam is lusting. Corey Flood : Did you sleep with her? Lloyd Dobler : I admit nothing. D.C. : Lloyd, it's us. Corey Flood : Look at his face. He did the deed. D.C. : You're an inspiration, Lloyd. You should go on the 700 Club or something. Corey Flood : [Lloyd's letter to Diane] Dear Diane, I'll always be there for you. All the love in my heart, Lloyd. Corey Flood : I'm sorry, it's just that you're a really nice guy and we don't want to see you get hurt. Lloyd Dobler : I want to get hurt! Movie Title: The Addiction (1995) as Kathleen Conklin / Kathleen: [last lines] Kathleen : To face what we are in the end, we stand before the light and our true nature is revealed. Self-revelation is annihilation of self. Kathleen Conklin : Dependency is a marvelous thing. It does more for the soul than any formulation of doctoral material. [Kathleen Conklin is in a library] Kathleen Conklin : Oh, the stench here is worse than a charnel house. This is a graveyard. Rows of crumbling tombstones. Vicious libelous epitaphs. And we're all drawn here like flies. Kathleen Conklin : You think hell shuts down after a couple of years? You think what you've done isn't, isn't floating around somewhere in space? What makes you think you've been forgiven for lying to your mother as a child, huh? Or of having slept with married men in adultery or paying taxes that turn Central America into a mud puddle, huh? Kathleen Conklin : Essence is revealed through praxis. The philosopher's words, his ideas, his actions, cannot be separated from his value, his meaning. That's what it's all about, isn't it? Our impact on other egos. Kathleen Conklin : We drink to escape the fact we're alcoholics. Existence is the search for relief from our habit, and our habit is the only relief we can find. Kathleen Conklin : (VO) I finally understand what all this is, how it was all possible. Now I see, good lord, how we must look from out there. Our addiction is evil. The propensity for this evil lies in our weakness before it. Kierkegaard was right - there is an awful precipice before us. But he was wrong about the leap - there's a difference between jumping and being pushed. You reach a point where you are forced to face your own needs, and the fact that you can't terminate the situation settles on you with full force. [Kathleen Conklin and Jean are discussing the concept of war criminals] Kathleen Conklin : It was the whole country. They were all guilty. How can you single out one man? Jean : Well, you can't jail a whole country, you know. They needed a scapegoat. He was the unlucky one who got caught. Kathleen Conklin : No, I don't think luck had anything to do with it. I mean, how did he get over there? Who put the gun in his hand? They say that he was guilty of killing women and babies. How many bombs were dropped that did the exact same thing? How many homes were destroyed? And who's in, who's in jail for that? Kathleen Conklin : The old adage from Santayana, that those who don't learn from history are doomed to repeat it, is a lie. There is no history. Everything we are is eternally with us. Kathleen Conklin : What's your major? Anthropology Student : Anthropology. Kathleen Conklin : Do you like it? Anthropology Student : What else is there? Man is the measure of all things - Protagoras, right? What are you studying? Kathleen Conklin : Adversity's sweet milk: philosophy. Anthropology Student : Look what you've done to me! How could you do this? Doesn't this affect you at all? Kathleen Conklin : No. It was your decision. Your friend Feuerbach wrote that all men counting stars are equivalent in every way to God. My indifference is not the concern here. It's your astonishment that needs studying. Kathleen Conklin : You know, this obtuseness, it's disheartening, especially in a doctoral candidate. You ought to know better. Jean : You're hurting me. Kathleen Conklin : Are you kidding me? I'll crush you like cardboard. Kathleen Conklin : What's gonna happen to me? Peina : Read the books. Sartre, Beckett. Who do you think they're talking about? You think they're works of fiction? Movie Title: Six Feet Under (2001) as Lisa: Nate : Everything is the same. [Silence] Lisa : Oh, by the way, I'm pregnant, you know. Five months. But you don't need to worry I'm not going to ask anything from you. Movie Title: Live From Baghdad (2002) as Judy Parker: Judy Parker : Goodbye, Richard. I think you're really smart. Richard Roth : Goodbye, Judy. I think I'm really smart, too. Judy Parker : And he'll have a Yoo-Hoo. That's a chocolate drink. Mark Biello: I'll have a beer. It's a malt beverage. Robert Wiener : (on the phone with room service) Could you send up a Pepsi, please? Ingrid Formanek : I'll take a Pepsi. Judy Parker : I'll have a Coke. Ingrid Formanek : Oh, there's no Coke in Baghdad. Bottling plant's in Dixie. [Judy, confused, looks at Ingrid] Ingrid Formanek : (whispering) Israel. Mark Biello: I'll take a Yoo-Hoo. (everyone looks at Mark.) It's a chocolate drink. Judy Parker : I didn't say anything. Robert Wiener : Make it seven Pepsis. Movie Title: Ransom (1996) as Maris Conner: Maris Conner : You're fucking drinking again. Miles Roberts : But that's okay, see, because I'm not drinking with the kid. |
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