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 Keanu Reeves Quotation"What would happen if you melted? You know, you never really hear this talked about much, but spontaneous combustion? It exists!...[people] burn from within...sometimes they'll be in a wooden chair and the chair won't burn, but there'll be nothing left of the person. Except sometimes his teeth. Or the heart. No one speaks about this, but its for real." "My name can't be *that* tough to prounounce" "When I don't feel free and can't do what I want I just react. I go against it." When told, "You'll just have to bite the bullet", his reply was, "Yes, but I don't have to eat the whole rifle" "I'm a meathead man. You've got smart people, and you've got dumb people. I just happen to be dumb." "I'm sorry my existence is not very noble or sublime." [On being a star] "It can still be very surreal. It's easy to become very self-critical when you're an actor. Then you get critiqued be the critics. Whether you agree with them or not, people are passing judgement on you." [On drugs] I've had wonderful experiences. I mean really wonderful. In teaching. Personal epiphanies. About life. About a different perspective -- help with different perspectives that you have. You know what I mean? Relationships to nature. Relationships with the self. With other people. With events. "I used to have nightmares that they would put 'He played Ted' on my tombstone" - said during an interview when the interviewer asked Keanu if he had any fears. "I'm Mickey Mouse. They don't know who's inside the suit." "Here comes 40. I'm feeling my age and I've ordered the Ferrari. I'm going to get the whole mid-life crisis package" Movie Title: The Prince of Pennsylvania (1988) as Rupert / Rupert Marshetta: Rupert Marshetta : "You hid the money in the Port-a-Johnny!" Jack Sike : I vote no. Rupert Marshetta : You don't vote in my revolution. Rupert Marshetta : I used to be a prince. Leslie: Rupert Marshetta, where have you been all year? Rupert : The Bahamas, what does it look like? Leslie: Well, you can't come in here unless you're dressed from Dallas or Dynasty. Rupert Marshetta : We offend the common rabble with our truth. Carla Headlee : Most of the time you're in a fantasy world, Rupert. Rupert Marshetta : Most of the time, you're stoned. Carla Headlee : I got my reasons. Rupert Marshetta : Name twelve. Movie Title: Chain Reaction (1996) as Eddie Kasalivich: Eddie Kasalivich : I think your experiment just got a mind of its own. Dr. Lily Sinclair : So, is this how you seduce all the girls? Eddie Kasalivich : Only physicists with hypothermia who are accused of being a terrorist. Eddie Kasalivich : He was a 60 year old scientist who did nothing but good and they put a bag over his head. Movie Title: Brotherhood of Justice (1986) as Derek: Derek : Since when do you like Calculus more than me? Christie : I don't, but some of us mortals have to study. Derek : The "Brotherhood of Justice"... where'd you get that? Les : It must have been divine inspiration, I guess. Derek : When we hit somebody, we do it as the Brotherhood... and we leave a calling card so they and everybody else learns a lesson. No screw ups. Derek : This made so much sense in the beginning. Christie : Doesn't make any sense right now, does it. Derek : Nothing does. Movie Title: The Animatrix (2003) as Neo: Mr. Popper : Neo, I knew you would save me. Neo : I didn't save you kid, you saved yourself. Neo : They know you know, get out, get out now! Movie Title: Sweet November (2001) as Nelson Moss / Nelson: Nelson Moss : [throws his cell phone in a sink full of water] Marry me! [throws his watch] Nelson Moss : Marry me! Sara : What are you doing? Nelson Moss : Buying redemption. Sara : Redemption's not for sale today. Nelson Moss : What are you doing? Sara : Taking your shirt off. Nelson Moss : Why? Sara : Because you smell like puppy pee. Nelson Moss : Why a month? Sara : Because it's long enough to be meaningful, but short enough to stay out of trouble. Sara : Nelson do you want to be my November. Nelson : Yes. Nelson : I like the dress, very... Pink Flamingos. Chaz : well that's flattering... Sweetheart! He says i look like Divine! [Brandon comes in with a tray wearing a dress] Brandon : OH! That's awful. Nelson : November is all I know, and all I ever wanna know. Nelson : You define every law of nature I've ever known. Nelson : This is it, life will never be better, or sweeter than this. Movie Title: I Love You to Death (1990) as Marlon: Marlon : If we're gonna waste the dude, we oughta get paid for it. I mean, that's the American way, ain't it? Marlon : Whose this? Harlan James : The Guy Marlon : The Guy? Harlan James : You know, Joey Marlon : Oh THAT guy Marlon : Is that legal... having sex with a kangaroo? Marlon : If we keep shooting Joey, don't you think he might get suspicious? Movie Title: Johnny Mnemonic (1995) as Johnny Mnemonic: Johnny Mnemonic : I can carry nearly eighty gigs of data in my head. Johnny Mnemonic : What the fuck is going on? WHAT THE FUCK IS GOING ON? You know, all my life, I've been careful to stay in my own corner. Looking out for Number One... no complications. Now, suddenly, I'm responsible for the *entire fucking world*, and everybody and his mother is trying to kill me, IF... IF... my head doesn't blow up first. Jane : Maybe it's not just about you any more. Johnny Mnemonic : Listen. You listen to me. You see that city over there? THAT'S where I'm supposed to be. Not down here with the dogs, and the garbage, and the fucking last month's newspapers blowing *back* and *forth*. I've had it with them, I've had it with you, I've had it with ALL THIS -- *I want ROOM SERVICE*! I want the club sandwich, I want the cold Mexican beer, I want a $10,000-a-night hooker! I want my shirts laundered... like they do... at the Imperial Hotel... in Tokyo. Johnny Mnemonic : You can't shoot me. Takahashi : Not in the head. Johnny Mnemonic : If I fall, you don't get the head, right? If you lose the head, you're fucked! Johnny Mnemonic : They'll negotiate; they're corporate. Jane : So's the Yakuza. Spider : Get on the table. Johnny Mnemonic : Why? Spider : Don't be a bigger asshole than you have to, get on the table. Johnny Mnemonic : Who ordered the pizza? Movie Title: River's Edge (1986) as Matt: Matt : The only reason you stay here is so you can fuck my mother and eat her food. MOTHERFUCKER. FOOD EATER. Movie Title: The Night Before (1988) as Winston: Winston : Stay away from ginger ale and tequila. It's a bitch! Winston : Hey, you want to dance? Tara : What I want, Winston, is I want OUT of here and I want out NOW! Winston : Why? Don't you know how to dance? Winston : I was supposed to have her home by midnight, and instead, I sold her to a pimp! Winston : Did anything happen to you? Tara : Well, let's see. I was kidnapped, they stole my dress and I was driven over here in the trunk of a car. Did you mean besides that? Winston : Hey, give me a break here! Tara : Gee, am I overreacting? Well, I guess being sold into prostitution has made me a little edgy; or maybe it's the thought of almost losing my virtue to the Goodyear blimp - and then again it could be simply the sleazy feeling of vinyl against my skin. Winston : You know what you are? YOU are an egotistical, self-centered, little BRAT! Tara : That's terrific! [Bumps into guy on stairway] Tara : Excuse me, sir. Now if you'll both pardon me, sir. Do you win over a lot of girls this way, Winston? [Still can't get past the guy] Tara : I'm sorry, sir, we'll be out of your way in just one moment. Winston : Nice hairdo... you get FM on that? Lisa : You took Tara into a SEWER? Winston : Yeah, only for a couple of seconds. Movie Title: Point Break (1991) as Johnny Utah: Ben Harp : You're a real blue flame special, aren't you, son? Young, dumb and full of come, I know. What I don't know is how you got assigned here. Guess we must just have ourselves an asshole shortage, huh? Johnny Utah : [quietly] Not so far. Ben Harp : Special agent Utah! This is not some job, flipping burgers at the local drive-in! Yes! - your surf board bothers me! Yes! - your approach to this whole damn case bothers me! And yes! - YOU BOTHER ME! And Pappas! Oh, for the love of Christ. How the hell did I even let you talk me into this whole bone-headed idea to begin with. Pappas : Harp! We are working under-cover. It takes time. We've produced a few... Ben Harp : NO! No no no no no no NO! Let me tell you what you've produced... Over the last two weeks, you two have produced exactly squat! SQUAT! During which time the ex-presidents have robbed two more banks. Now for Christ's sake, does either one of you have anything even remotely interesting to tell me? [brief pause] Johnny Utah : I caught my first tube today... Sir. [After a long discussion about which parachute Johnny Utah should use] Johnny Utah : You gonna jump or jerk off? Johnny Utah : I'm an FBI Agent. Johnny Utah : You're sayin' the FBI's gonna pay me to learn to surf? Ben Harp : Do you think that taxpayers would like it Utah, if they knew that they were paying a federal agent to surf and pick up girls? Johnny Utah : Babes. Ben Harp : I beg your pardon? Johnny Utah : The correct term is Babes, sir. Johnny Utah : Vaya con Dios, Brah. Movie Title: Bill & Ted's Excellent Adventure (1989) as Future Ted / Ted: [Introducing Genghis Khan] Ted : This is a dude who, 700 years ago, totally ravaged China, and who we were told, 2 hours ago, totally ravaged Ashman's Sporting Goods. [Bill and Ted are working on their history report] Bill : OK Ted, George Washington. One: the father of our country. Ted : Two: born on President's Day. Bill : Three: the dollar bill guy. Ted : Bill, did you ever made a mushroom out of his head? Bill : Ted? Ted : What? Bill : Alaska. Ted : OK. Um... [thinks for a moment] Ted : Had wooden teeth, chased Moby Dick. Bill : That's Captain Ahab, dude. [An early morning jam] Bill : I'm Bill S. Preston, Esquire. Ted : And I'm Ted "Theodore" Logan. Bill , Ted : And together, we're WYLD STALLYNS. Missy : Hi, Bill. Hi, Ted. Need a ride? Bill : Sure, Missy. I mean, Mom. [She smiles] Ted : [whispering to Bill] Your step-mom's cute. Bill : Shut up, Ted. Ted : Remember when she was a senior and we were freshman? Bill : Shut up, Ted. [Bill thought Ted was killed] Bill : Ted, you're alive. Ted : Yeah, I fell out of my armor when I hit the floor. [They hug] Bill , Ted : [to each other] Fag. Bill : Be excellent to each other. Ted : Party on, dudes. [After seeing the Princesses Joanna and Elizabeth] Ted : Bill? Bill : What? Ted : I'm in love, dude. Bill : Come on, this is a history report, not a babe report. Ted : But, Bill, those are historical babes. Bill : Okay, you're the ladies' man. How we gonna meet 'em? Ted : [to Socrates] All we are is dust in the wind, dude. Billy the Kid : Not bad, eh, Socrates? Where are we, dude? Bill : England, 15th century. Ted : We are in most excellent shape for our report. Bill : Yeah, all we need is one more speaker from medieval. Billy the Kid : Excellent. Bill : Billy, you are dealing with the oddity of time travel with the greatest of ease. History Teacher : Who was Joan of Arc? Ted : Noah's wife? Ted : Now your dad's actually going for it in your room. Bill : Shut up, Ted. Ted : Your step-mom is cute, though. Bill : Shut up, Ted. Ted : Remember when I asked her to the prom? Bill : Shut up Ted. Bill , Ted : Excellent. Bill : Ted. While I agree that, in time, our band will be most triumphant, the truth is Wyld Stallyns will never be a super band until we have Eddie Van Halen on guitar. Ted : Yes, Bill. But... I do not believe we will get Eddie Van Halen until we have a triumphant video. Bill : Ted, it's pointless to have a triumphant video before we even have decent instruments. Ted : Well, how can we have decent instruments when we don't really even know how to play? Bill : That is why we NEED Eddie Van Halen. Ted : And, THAT is why we need a triumphant video. Bill , Ted : EXCELLENT. [Air guitar] Evil Duke : Put them in the iron maiden. Ted : Iron Maiden? Bill;Reeves, Keanu : Excellent! [air guitar] Evil Duke : Execute them. Bill;Reeves, Keanu : Bogus! Ted : Strange things are afoot at the Circle-K. [Bill S. Preston and Ted Logan meet themselves] Ted : OK wait. If you guys are really us, what number are we thinking of? Bill , Ted : 69, dudes. Bill , Ted : Whoa. [quadruple air guitar solo] Ted : Dude, are you sure we should be doing this? Bill : Ted, you and I have witnessed many things, but nothing as bodacious as what just happened. Besides, we told ourselves to listen to this guy... Ted : What if we were lying? Bill : Why would we lie to ourselves? Bill : Socrates; "The only true wisdom consists of knowing you know nothing". Ted : That's us, dude. [Bill S. Preston and Ted Logan have met themselves again] Bill , Ted : Catch you later, Bill and Ted. Bill : That conversation made more sense this time. Ted : Dude, it's Sigmund Frood. Bill : Extra credit, dude. Let's bag him. Ted : [to Freud] How's it goin' Frood-dude? [As Genghis Khan shows off, Ted narrates] Ted : As you can see, Genghis greatly enjoys Twinkies because of the excellent sugar rush. Ted : RUFUS. Bill : Listen to this dude Rufus, he knows what he's talking about. Billy the Kid : Here's the deal. What I win, I keep. What you win... I keep. Bill , Ted : Sounds good, Mr. The Kid. [Bill & Ted have just landed the booth in Bill's yard] Ted : [to Missy] Uh, Ms. Preston. We'd like you to meet some of our... friends. Bill : Yeah. This is Dave Beeth Oven. [Beethoven kisses Missy's hand. She laughs] Bill : And, uh, Maxine of Arc, Missy. Herman the Kid. Ted : Bob "Genghis" Khan. So-crates Johnson. Dennis Frood. And uh, uh... Abraham Lincoln. Bill : You ditched Napoleon. Ted : Deacon, do you realize you have just stranded one of Europe's greatest leaders in san Dimas. Deacon : He was a dick. Bill : Who are you guys? Future Ted : We're you, dude. Ted : No way. No... way. Future Ted : Yes way. Ted : [Both get served beers in a saloon bar] Whoa. He didn't even card us, dude. Bill : Yeah, we'll have to remember this place. [In Ancient Greece] Bill : Socrates. Hey, we know that name. Ted : Hey, [hands Bill the book] Ted : look him up. Oh, it's under So-crates. Movie Title: 2003 MTV Movie Awards (2003) as Neo: Neo : And I see Trinity... falling. The Oracle : Now that's fucked up. Justin Timberlake : You can do the Robot with J.T. Neo : What happens if I fail? Justin Timberlake : OK, dude. Lighten up, for real, it's just the Robot. Neo : No. I wont! The Oracle : Well, hell, I will. Larry the Architect: Neo was originally the chosen one to host the show, but he's been a little distracted lately... Neo : Trinity! Larry the Architect: See! I told you. He is completely pussy-whipped. Neo : You won't let it... Larry the Architect: No, YOU won't let it! I'm the one doing the talking, okay? Mouth shut, ears open! Ergo! Vis-a-vis! Concordantly! Movie Title: A Walk in the Clouds (1995) as Paul Sutton / Paul: Paul : I know that she is good and strong and deserves all the love this world has to give. Can't you see that, how wonderful, how special she is? Paul Sutton : She's like the air to me. Movie Title: Babes in Toyland (1986) as Jack Nimble / Jack: Jack : What do you say to a big kiss? Mary Contrary : Hello, big kiss. Jack Nimble : Over my dead body! Barnaby : If necessary. Jack Nimble : Everything Lisa warned us about you is true! Barnaby : Oh, I hope so. Jack Nimble : He's got trolls! Hundreds of trolls, who ate all the cookies! Justice Grimm : Do you take the breathtaking Mary to be your beautiful, loving wife from this moment on, to love and be unbelievably kind to, to share the joys of Toyland and all your hopes and dreams with, forever and a day? Jack : It's not long enough, but I do. Jack : You look so beautiful. Mary : For you. Movie Title: Dracula (1992) as Jonathan Harker: Jonathan Harker : The Count, the way he looked at Mina's picture fills me with dread. As if I have a part to play in a story that is not known to me. [Dracula has been slashed in the throat by Jonathan and impaled by Quincey] [to Jonathan] Mina : When my time comes, will you do the same to me? [pause] Mina : Will you? [pause] Jonathan Harker : No. Movie Title: The Matrix Reloaded (2003) as Neo: Neo : Why don't you tell me what's on your mind, Councillor? Councillor Harmann : There is so much in this world that I do not understand. See that machine? It has something to do with recycling our water supply. I have absolutely no idea how it works. But I do understand the reason for it to work. I have absolutely no idea how you are able to do some of the things you do, but I believe there's a reason for that as well. I only hope we understand that reason before it's too late. Neo : Trinity. I know you can hear me. I'm never letting go. I can't. I just love you too damn much. Councillor Harmann : Down here, sometimes I think about all those people still plugged into the Matrix and when I look at these machines I... I can't help thinking that in a way... we are plugged into them. Neo : But we control these machines; they don't control us. Councillor Harmann : Of course not. How could they? The idea is pure nonsense. But... it does make one wonder... just... what is control? Neo : If we wanted, we could shut these machines down. Councillor Harmann : [Of] course. That's it. You hit it. That's control, isn't it? If we wanted we could smash them to bits. Although, if we did, we'd have to consider what would happen to our lights, our heat, our air... Neo : So we need machines and they need us, is that your point, Councilor? Councillor Harmann : No. No point. Old men like me don't bother with making points. There's no point. Neo : Is that why there are no young men on the council? Councillor Harmann : Good point. Neo : There are only two possible explanations: either no one told me, or no one knows. The Oracle : Do you see her die? Neo : No. The Oracle : You have the sight now, Neo. You are looking at the world without time. Neo : Then why can't I see what happens to her? The Oracle : We can never see past the choices we don't understand. Neo : Are you saying I have to choose whether Trinity lives or dies? The Oracle : No, you've already made the choice. Now you have to understand it. Neo : No. I can't do that. I won't. The Oracle : Well, you have to. Neo : Why? The Oracle : Because you're the One. Neo : Are you a programmer? [Seraph shakes his head no] Neo : Then what are you? Seraph : [Pauses, then faces Neo] I protect that which matters most. Seraph : You seek the Oracle. Neo : Who are you? Seraph : I am Seraph. I can take you to her. But first, I must apologize. Neo : For what?. Seraph : For this. [fighting ensues] Seraph : The Oracle has many enemies, I had to be sure. Neo : Of what? Seraph : That you were The One. Neo : You could've just asked. Seraph : You do not truly know someone until you fight them. The Architect : Hello, Neo. Neo : Who are you? The Architect : I am the Architect. I created the Matrix. I've been waiting for you. You have many questions, and although the process has altered your consciousness, you remain irrevocably human. Ergo, some of my answers you will understand, and some of them you will not. Concordantly, while your first question may be the most pertinent, you may or may not realize it is also the most irrelevant. The Architect : You are here because Zion is about to be destroyed. Its every living inhabitant terminated, its entire existence eradicated. Neo : Bullshit. [The monitors respond the same] The Architect : Denial is the most predictable of all human responses. But, rest assured, this will be the sixth time we have destroyed it, and we have become exceedingly efficient at it. Neo : If I were you, I would hope we don't meet again. The Architect : We won't. Neo : But if you already know, how can I make a choice? The Oracle : Because you didn't come here to make the choice, you've already made it. You're here to try to understand *why* you made it. I thought you'd have figured that out by now. The Oracle : So, let's get the obvious stuff out of the way. Neo : You're not human, are you? The Oracle : It's tough to get any more obvious than that. Neo : Are there other programs like you? The Oracle : Oh, well, not like me. But... look, see those birds? At some point a program was written to govern them. A program was written to watch over the trees, and the wind, the sunrise, and sunset. There are programs running all over the place. The ones doing their job, doing what they were meant to do, are invisible. You'd never even know they were here. But the other ones, well, we hear about them all the time. Neo : I've never heard of them. The Oracle : Oh, of course you have. Every time you've heard someone say they saw a ghost, or an angel. Every story you've ever heard about vampires, werewolves, or aliens, is the system assimilating some program that's doing something they're not supposed to be doing. [Johnson blocks Neo's punch] Neo : Hmm, upgrades. Neo : I suppose the most obvious question is, how can I trust you? The Oracle : Bingo. It is a pickle. No doubt about it. The bad news is there's no way if you can really know whether I'm here to help you or not, so it's really up to you. You just have to make up you on damned mind to either accept what I'm going to tell you, or reject it. Neo : [kisses Trinity] I missed you. Trinity : I can tell. Agent Smith : I killed you, Mr. Anderson. I watched you die... with a certain satisfaction, I might add. Then something happened. something that I knew was impossible, but it happened anyway. You destroyed me, Mr. Anderson. After that, I understood the rules, I knew what I was supposed to do, but I didn't. I couldn't. I was compelled to stay, compelled to disobey. And now, here I stand because of you, Mr. Anderson. Because of you, I'm no longer an Agent of this system. Because of you, I've changed. I'm unplugged. A new man, so to speak. Like you, apparently, free. Neo : Congratulations. Agent Smith : Thank you. The Oracle : Candy? Neo : Do you already know if I'm going to take it? The Oracle : Wouldn't be much of an Oracle if I didn't. Neo : Why are you here? The Oracle : Same reason. I love candy. Neo : Choice, the problem is choice. The Architect : As I was saying, she stumbled upon a solution whereby nearly ninety-nine percent of the test subjects accepted the program provided they were given a choice - even if they were only aware of it at a near-unconscious level. While this solution worked, it was fundamentally flawed, creating the otherwise contradictory systemic anomaly, that, if left unchecked, might threaten the system itself. Ergo, those who refused the program, while a minority, would constitute an escalating probability of disaster. Neo : This is about Zion. Neo : Hiya, fellas. Agent Jackson : It's him. Agent Thompson : The anomaly. Agent Jackson : Do we proceed? Agent Thompson : Yes... Agent Jackson : ...he is still... Agent Johnson : ...only human. Neo : Link, where am I? Link : You're not gonna believe this, but you're in the mountains. [Neo looks around. He is surrounded by grassy hills and snow-topped peaks] Neo : [Sarcastically] Really? Agent Smith : Mr. Anderson. Surprised to see me? Neo : No. Agent Smith : Then you're aware of it? Neo : Of what? Agent Smith : Our connection. Neo : Why am I here? The Architect : Your life is the sum of a remainder of an unbalanced equation inherent to the programming of the matrix. You are the eventuality of an anomaly, which despite my sincerest efforts I have been unable to eliminate from what is otherwise a harmony of mathematical precision. While it remains a burden assiduously avoided, it is not unexpected, and thus not beyond a measure of control. Which has led you, inexorably, here. Neo : You haven't answered my question. The Architect : Quite right. Interesting. That was quicker than the others. The Architect : The function of the One is now to return to the source, allowing a temporary dissemination of the code you carry, reinserting the prime program. After which you will be required to select from the matrix 23 individuals, 16 female, 7 male, to rebuild Zion. Failure to comply with this process will result in a cataclysmic system crash killing everyone connected to the matrix, which coupled with the extermination of Zion will ultimately result in the extinction of the entire human race. Neo : You won't let it happen, you can't. You need human beings to survive. [After first meeting with The Merovingian] Neo : Well, that didn't go so well. Morpheus : Are you Certain the Oracle didn't say anything else? Neo : Yes. Trinity : Maybe we did something wrong. Neo : Or didn't do something. Morpheus : No, what happened, happened and couldn't have happened any other way. Neo : How do you know? Morpheus : We are still alive. Morpheus : Smith? [Neo nods his head, winded] Morpheus : Now there's more than one of him? Neo : A lot more. Link : But how? How can that be possible? Neo : I don't know. Somehow he's found a way to copy himself. Morpheus : Was that what he was doing to you? Neo : I don't know what he was doing. But I remember what it felt like. Trinity : What? Neo : It felt like I was back in that hallway... it felt like dying. Morpheus : What can you see, Neo? Neo : It's strange... the code is somehow different. Morpheus : Encrypted? Neo : Maybe. Trinity : Is that good for us, or bad for us? Neo : Well, it looks like every floor is wired with explosives. Trinity : Bad for us. Morpheus : Here we go. Merovingian : And now I have some real business to attend to, so I will say adieu and goodbye... [They all stand] Neo : This isn't over. Merovingian : Oh, yes it is. The Keymaker is mine and I see no reason to give him up... No reason at all... Neo : I can't lose you. Trinity : You're not going to lose me. [she takes his hand] Trinity : You feel this? I'm never letting go. Neo : What happens if I fail? The Oracle : Then Zion will fall. Neo : I just haven't been able to sleep much. Councillor Harmann : It's a good sign. Neo : Of what? Councillor Harmann : That you are, in fact, still human. [About Merovingian] Neo : What does he want? The Oracle : What do all men with power want? More power. Neo : What happened? Trinity : Morpheus went to the Oracle. After that everything changed. Neo : Yeah. She can do that. Neo : How long to recharge the "Neb"? Trinity : 24, maybe 30, hours. Neo : Some people go their entire lives without hearing news that good. Merovingian : Something to eat? Drink? Of course these things are contrivances, like so much here, for the sake of appearances. Neo : No thankyou. Merovingian : Yes, of course. Who has time? Who has time? But then if we never *take* time, how can we have time? The Architect : It is interesting reading your reactions. Your five predecessors were, by design, based on a similar predication: a contingent affirmation that was meant to create a profound attachment to the rest of your species, facilitating the function of the One. While the others experienced this in a general way, your experience is far more specific. Vis-à-vis: love. Neo : Trinity. [the monitors show images of Trinity] The Architect : Apropos, she entered the Matrix to save your life at the cost of her own. Neo : No... The Architect : Which brings us at last to the moment of truth, wherein the fundamental flaw is ultimately expressed, and the Anomaly revealed as both beginning... and end. Movie Title: My Own Private Idaho (1991) as Scott Favor: Scott Favor : It's when you start doing things for free, that you start to grow wings. Isn't that right, Mike. Mike Waters : What? Scott Favor : Wings, Michael. You grow wings, and become a fairy. Scott Favor : I never thought I could be a real model, you know fashion-shit, cause I'm better at full body stuff It.8 okay so long as the photographer doesn't come on to you and expect something for no pay I'm trying to make a living, you know, and I like to be professional 'Course if the guy wants to pay me, then shit-yeah. Here I am for him. I'll sell my ass, I do it on the street all the time for cash. And I'll be on the cover of a book. It's when you start doing it for free that you start to grow wings, Right, Mike? Bob Pigeon : Scott. When you inherit your fortune, on your twenty-first birthday, let's see... how far away is this? Scott Favor : One week away, Bob, just one more week. Bob Pigeon : Let's not call ourselves robbers, but Diannah's foresters. Gentlemen of the shade. Minions of the Moon. Men of good government. Scott Favor : [under his breath] When I turn twenty-one, I don't want any more of this life. My mother and father will be surprised at the incredible change. It will impress them more when such a fuck up like me turns good than if I had been a good son all along. All the past years I will think of as one big vacation. At least it wasn't as boring as schoolwork. All my bad behavior I'm going to throw away to pay my debt. I will change when everybody expects it the least. Scott Favor : I only have sex with a guy for money. Mike Waters : Yeah, I know. Scott Favor : And two guys can't love each other. Mike Waters : Yeah. Mike Waters : Well, I don't know. I mean... I mean, for me, I could love someone even if I, you know, wasn't paid for it... I love you, and... you don't pay me. Scott Favor : Mike... Mike Waters : I really wanna kiss you, man... Well goodnight, man... I love you though... You know that... I do love you. Scott Favor : Why, you wouldn't even look at a clock unless hours were lines of coke, dials looked like the signs of gay bars, or time itself was a fair hustler in black leather. Scott Favor : Getting away from everything feels good. Mike Waters : Yeah, it does. Scott Favor : When I left home, the maid asked me where I was off to. I said "Wherever. Whatever. Have a nice day." Mike Waters : You had a maid. If I had a normal family, and a good up-bringing, then I would have been a well-adjusted person. Scott Favor : It depends on what you call normal. Mike Waters : Yeah, it does. Well, you know. Normal. Like a mom and a dad and a dog, and shit like that. Normal. Normal. Scott Favor : So, you didn't have a normal dog? Mike Waters : No, I didn't have a dog. Scott Favor : Didn't... or... didn't have a normal dad? Mike Waters : Didn't have a dog or a normal dad anyway, yeah. That's alright. I don't feel sorry for myself. I mean, I feel like I'm... I feel like I'm... you know... well-adjusted. Scott Favor : When you wake up, wipe the slugs off your face. Be ready for a new day! Mike Waters : [in a coffee shop] How'd we get home? Scott Favor : That German guy. Hans. He brought you downtown, you were passed out. He said he was heading to Portland, so I asked him for a ride. Mike Waters : I don't remember any German guy. Scott Favor : Well. You were sleeping. Mike Waters : How much do you make off me while I'm sleeping? Scott Favor : Just a ride, Mike. I don't make anything. What, you think that I sell your body while you are asleep? Mike Waters : Yeah. Scott Favor : [Scott sips from a coffee cup] No, Mike. I'm on your side. Scott Favor : But how could you see green if it was so dark you could not see your own hand? Movie Title: Hard Ball (2001) as Conor O' Neill / Conor O'Neill: Raymond 'Ray Ray' Bennet: Coach Conor? You're not really trying to get Ms. Wilkes, are you? Conor O'Neill : No. Raymond 'Ray Ray' Bennet: Good. 'Cause I already tried and she ain't havin' it. G-Baby : Yeah, me too. Raymond 'Ray Ray' Bennet 's mother: Miss Wilkes said she had a good feeling about you. Conor O'Neill : Miss Wilkes said that? Elizabeth Wilkes : So you work for Smith & Stevens Securities? Conor O'Neill : Yes. Elizabeth Wilkes : What deal did you blow? Conor O'Neill : What? Elizabeth Wilkes : Well, I'm sure you're not coaching this team by choice. Conor O'Neill : The most important thing in life is showing up i am blown away by your ability to show up. Conor O'Neill : What? Since you can't talk shit, you got nothing to say? Conor O' Neill : Hey! Can we cool it with the bitches? Conor O' Neill : I love it when you call me big poppa! Movie Title: Bill & Ted's Bogus Journey (1991) as Ted / Evil Ted / Dead Ted: Colonel Oates : Get down and give me infinity. Dead Bill : There is no way we could possibly do infinity push-ups. Dead Ted : Well maybe if he lets us do them girly-style... [Evil Bill & Ted are holding the real Bill & Ted over a cliff] Bill : Ted, we gotta do something! Ted : Dudes, even though you're doing this, we... we... we love you! We love you! Evil Bill , Evil Ted : Fags! Evil Ted : Aim for the cat, dude! Aim for a cat! Evil Ted : I got a full-on robot chubby. [Evil Robot Bill and Evil Robot Ted arrive at 1988] Evil Bill : Not bad... Evil Ted : Yeah. Let's make it bad. [Dead Bill S. Preston almost falls down when climbing around in Hell] Dead Bill : Ted, you know, if I die, you can have my Megadeth collection. Dead Ted : But dude, we are already dead. Dead Bill : Oh. Well then they're yours, dude. Dead Ted : [to God] Keep up the good work. Grim Reaper : A hit. You have sunk my battleship! Dead Bill , Dead Ted : Excellent! Yes! Dead Ted : I totally knew he would put it in the J's, dude! Dead Bill : Good thinking, Ted. Grim Reaper : You must play me again. Dead Bill : WHAT? Grim Reaper : Um, best two out of three. Dead Bill , Dead Ted : No way! Grim Reaper : Yes way. Grim Reaper : I believe Colonel Mustard did it in the study with a candlestick. Dead Bill : Sorry, death, you lose! It was Professor Plum! Grim Reaper : I said Plum! Dead Ted : No way! You said Mustard! Can we go back now? Grim Reaper : Uh, best three out of five! Dead Ted : I don't believe this guy! Ted : Dude, how are we gonna get out of this? We don't got any time! Bill : Yeah we do, dude. Look, after we get away from this guy, we use the booth. We time travel back to before the concert and set up the things we need to get him now. [falling down a really big hole] Dead Bill : Hey Ted? Wanna play 20 questions? Dead Ted : Okay! I got one! Dead Bill : Is it a mineral? Dead Ted : Yeah! Dead Bill : Are you a tank? Dead Ted : Whoa! Yeah! [During séance. Bill and Ted are floating above Missy] Missy : Spirits, can you hear me? Dead Ted : Yeah and we can totally see down... Dead Bill : Ted! That's your mom, dude! Dead Ted : Bill, what happened? Dead Bill : Ted, we're dead, dude. Dead Ted : No way! Dead Bill : Yes way! Dead Bill : Ted, it's the Grim Reaper! Dead Ted : Oh, how's it hangin' Death? Beelzebub: Choose your eternity! Dead Ted : Choose your own, you fag! [Ted is pushed against a wall by some evil force] Dead Bill : You ugly, red, source of all evil! [Bill is pushed against the same wall] Dead Ted : [After Bill and Ted have each experienced their own personal Hell] That was non-non-non-non-non-NON-Heinous! Dead Bill , Dead Ted : Dude. Don't fear the Reaper. [both of them do an air guitar] Grim Reaper : I heard that. Ted : Dude! Bill : What? Ted : Hell sucks! Bill : Yes really! Movie Title: Feeling Minnesota (1996) as Jjaks Clayton: Jjaks Clayton : You ate my ear. You killed your wife. You framed me for it. And you're mad at me because I lied? Movie Title: Dangerous Liaisons (1988) as Chevalier Danceny: Marquise de Merteuil : Tell us we should think of the opera. Chevalier Danceny : Oh, it's sublime, don't you find? Marquise de Merteuil : Monsieur Darceny is one of those rare eccentrics who come here to listen to the music. Vicomte de Valmont : Be careful of the Marquis Chevalier Danceny : You must permit me to treat with skepticism anything you have to say about her. Vicomte de Valmont : Nevertheless, I must tell you in this affair, we are both her creatures, as I believe her letters to me will prove. When you have read them, you may decide to circulate them. Movie Title: Speed (1994) as Jack: Jack : Harry, there's enough C-4 on this thing to put a hole in the world! Jack : It's a game. If he gets the money he wins, if the bus blows up he wins. Annie : What if you win? Jack : Then tomorrow we'll play another one. Annie : But I'm not avalible to drive tomorrow. Busy. Jack : You're crazy! You're fuckin' crazy! Howard Payne : NO! Poor people are crazy, Jack. I'm eccentric. Swat Cop : Anything else that'll keep this elevator from falling? Jack : Yeah. The basement. Jack : Tell me again Harry, why did I take this job? Harry Temple : Oh come on, thirty more years of this, you get a tiny pension and a cheap gold watch. Jack : Cool. Harry Temple : All right, pop quiz. Airport. Gunman with one hostage. He's using her for cover; he's almost to a plane. You're a hundred feet away. Jack? Jack : Shoot the hostage. Howard Payne : You don't think I would've been prepared? Two years I invested in that elevator job, two years I invested in my life. You couldn't understand the commitment I have. You ruined a man's life's work and you think you can walk away? You got blinders on to the world! But I got your attention now didn't I? Jack : Why don't you just kill me? Howard Payne : No this is about ME! This is about money due ME! Which I WILL collect! 3.7 million dollars it's my nest egg, Jack, at my age you have to plan ahead. Howard Payne : This day has been rather disappointing, I don't mind telling you. Jack : Why, because you didn't get to kill everybody? Howard Payne : There's gonna come a time, boy, when you will wish you never met me. Jack : Mister, I'm already there! Harry : [Drunk] Well, I'm gonna go home, have some sex. Jack : Harry, you're gonna go home and throw up. Harry : Well that'll be fun too. [Traven spots the explosive device (it's huge); Stephens is relaying his observations by cel-phone] Jack : Fuck me! Stephens : "Oh, darn." [Jack is helped onto the bus after trying to defuse bomb] Stephens : Did you have any luck with the bomb? Jack : Yeah, it didn't go off. Jack : STOP! L.A.P.D! Get out of the car! Maurice the Tune Man : Hey man, this is MY car, I OWN this car, it's NOT stolen. Jack : It is now. Move over. Jack : Miss, can you handle this bus? Annie : Oh sure. It's just like driving a really big Pinto. Annie : So you're a cop, right? Jack : That's right. Annie : Well, I should probably tell you that I'm taking the bus because I had my driver's license revoked. Jack : What for? Annie : Speeding. Annie : What is that smell? Jack : It's gas. Annie : We're leaking gas? Jack : We are now. Annie : What, you thought you needed another challenge or something? [after surviving the bus explosion] Annie : You're not going to get mushy on me, are you? Jack : Maybe. I might. Annie : I hope not, 'cause you know, relationships that start under intense circumstances, they never last. Jack : Oh yeah? Annie : Yeah, I've done extensive study on this. Ortiz : You're not too bright man, but ya got some big round hairy cajones. Jack : That's very gross Ortiz. Ortiz : Huh, can't even pay him a compliment. Harry Temple : You shot me, I can't believe it. They're giving you a medal for shooting me, you little prick! Jack : Harry... you TOLD me to. [after the subway train derails] Jack : I have to warn you, I've heard relationships based on intense experiences never work. Annie : OK. We'll have to base it on sex then. Howard Payne : I'm smarter than you, Jack! I'm smarter! I'm smarter! [Payne just gets decapitated by a hanging light] Jack : Yeah, well I'm taller! Jack : We've got to do something about these hostages. Harry : We're not gonna shoot them, are we? Jack : Will the mystery guest please sign in? Jack : You've gotta let me off Howard Payne : Oh, no! That's not good! Movie Title: The Matrix (1999) as Neo: Trinity : I know why you're here, Neo. I know what you've been doing... why you hardly sleep, why you live alone, and why night after night, you sit by your computer. You're looking for him. I know because I was once looking for the same thing. And when he found me, he told me I wasn't really looking for him. I was looking for an answer. It's the question, Neo. It's the question that drives us. It's the question that brought you here. You know the question, just as I did. Neo : What is the Matrix? Trinity : The answer is out there, Neo, and it's looking for you, and it will find you if you want it to. Neo : I thought it wasn't real Morpheus : Your mind makes it real Neo : If you're killed in the matrix, you die here? Morpheus : The body cannot live without the mind Morpheus : The Matrix is a system, Neo. That system is our enemy. But when you're inside, you look around, what do you see? Businessmen, teachers, lawyers, carpenters. The very minds of the people we are trying to save. But until we do, these people are still a part of that system and that makes them our enemy. You have to understand, most of these people are not ready to be unplugged. And many of them are so inured, so hopelessly dependent on the system, that they will fight to protect it. [Neo's eyes suddenly wander towards a woman in a red dress] Morpheus : Were you listening to me, Neo? Or were you looking at the woman in the red dress? Neo : I was... Morpheus : [Gestures with one hand] Look again. [The woman in the red dress is now Agent Smith, pointing a gun at Neo's head; Neo ducks] Morpheus : Freeze it. [Everybody and everything besides Neo and Morpheus freezes in time] Neo : This... this isn't the Matrix? Morpheus : No. It is another training program designed to teach you one thing: if you are not one of us, you are one of them. Agent Smith : We're willing to wipe the slate clean, give you a fresh start. All that we're asking in return is your cooperation in bringing a known terrorist to justice. Neo : Yeah. Well, that sounds like a pretty good deal. But I think I may have a better one. How about, I give you the finger [He does] Neo : ... and you give me my phone call. Spoon boy : Do not try and bend the spoon. That's impossible. Instead... only try to realize the truth. Neo : What truth? Spoon boy : There is no spoon. Neo : There is no spoon? Spoon boy : Then you'll see, that it is not the spoon that bends, it is only yourself. Morpheus : Free your mind. [Morpheus jumps from one building to another a long distance away] Neo : Whoa. Neo : Why do my eyes hurt? Morpheus : You've never used them before. Oracle : I'd ask you to sit down, but, you're not going to anyway. And don't worry about the vase. Neo : What vase? [Neo turns to look for a vase, and as he does, he knocks over a vase of flowers, which shatters on the floor] Oracle : That vase. Neo : I'm sorry... Oracle : I said don't worry about it. I'll get one of my kids to fix it. Neo : How did you know? Oracle : Ohh, what's really going to bake your noodle later on is, would you still have broken it if I hadn't said anything? Neo : What did she tell you? Morpheus : That I would find the One. Oracle : You're cuter than I thought. I can see why she likes you. Neo : Who? Oracle : Not too bright, though. Agent Smith : You hear that Mr. Anderson?... That is the sound of inevitability... It is the sound of your death... Goodbye, Mr. Anderson... Neo : My name... is Neo. Morpheus : The pill you took is part of a trace program. It's designed to disrupt your input/output carrier signal so we can pinpoint your location. Neo : What does that mean? Cypher : It means buckle your seatbelt, Dorothy, 'cause Kansas is going bye-bye. Neo : What are you trying to tell me? That I can dodge bullets? Morpheus : No, Neo. I'm trying to tell you that when you're ready, you won't have to. Oracle : OK, now I'm supposed to say, "Hmm, that's interesting, but..." then you say... Neo : ..."but what?" Oracle : But... you already know what I'm going to tell you. Neo : I'm not The One. Oracle : Sorry, kid. You got the gift, but it looks like you're waiting for something. Neo : What? Oracle : Your next life, maybe. Who knows? That's the way these things go. Trinity : My name's Trinity. Neo : *The* Trinity? Who cracked the IRS d-base? Trinity : That was a long time ago. Neo : Jesus... Trinity : What? Neo : I just thought... you were a guy. Trinity : Most guys do. Tank : So what do you need? Besides a miracle. Neo : Guns. Lots of guns. Trinity : Neo... nobody has ever done this before. Neo : That's why it's going to work. [last lines] Neo : I know you're out there. I can feel you now. I know that you're afraid... you're afraid of us. You're afraid of change. I don't know the future. I didn't come here to tell you how this is going to end. I came here to tell you how it's going to begin. I'm going to hang up this phone, and then I'm going to show these people what you don't want them to see. I'm going to show them a world without you. A world without rules and controls, without borders or boundaries. A world where anything is possible. Where we go from there is a choice I leave to you. Neo : I know kung fu. Morpheus : How did I beat you? Neo : You... you're too fast. Morpheus : Do you believe that my being stronger or faster has anything to do with my muscles in this place? Do you think that's air you're breathing now? Trinity : Please Neo, you have to trust me. Neo : Why? Trinity : Because you have been down there Neo, you know that road, you know exactly where it ends. And I know that's not where you want to be. Neo : You ever have that feeling where you're not sure if you're awake or still dreaming? Choi : All the time. It's called mescaline, it's the only way to fly. Neo : Mr. Wizard. Get me the hell out of here. Neo : Am I dead? Morpheus : Far from it. Neo : What are you doing? Trinity : I'm going with you. Neo : No you're not. Trinity : No? Let me tell you what I believe. I believe that Morpheus means more to me than he does to you. I believe if you are really serious about rescuing him, you are going to need my help. And since I am the ranking officer on this ship, if you don't like it... I believe you can go to hell. Because you're not going anywhere else. Tank, load us up. Agent Smith : That Is The Sound Of Your Death, Mr. Anderson. Neo : My Name... Is Neo. Neo : What is happening to me? Morpheus : You are the One, Neo. You see, you may have spent the last few years looking for me, but I have spent my entire life looking for you. Choi : Hallelujah. You're my savior, man. My own personal Jesus Christ. Neo : If you get caught using that... Choi : I know. This never happened. You don't exist. Neo : Right. [Neo receives a cell phone in an overnight-mail envelope. As soon as he's holding it, it rings] Neo : Hello? Morpheus : Hello, Neo. Do you know who this is? Neo : Morpheus? Morpheus : Yes. I've been looking for you, Neo. I don't know if you're ready to see what I want to show you, but unfortunately, you and I have run out of time. They're coming for you, Neo, and I don't know what they're going to do. Neo : Who's coming for me? Morpheus : Stand up and see for yourself. Neo : What, right now? Morpheus : Yes, now. Neo : Okey dokey... free my mind. Right, no problem, free my mind, free my mind, no problem, right... Neo : I used to eat there. Really good noodles. Tank : We're supposed to start with these operation programs first. That's major boring shit. Let's do something a little more fun. How about... combat training. Neo : Ju jitsu? I'm gonna learn Ju jitsu. [Tank winks and loads the program] Neo : Holy shit! Tank : Hey Mikey, I think he likes it. How about some more? Neo : Hell, yes. Hell yeah. Morpheus : To your left there is a window: open it... use the scaffold to get to the roof. Neo : No way. No way. This is crazy. Morpheus : There are two ways out of that building: one is that scaffold, the other is in their custody. You take a chance either way: I leave it to you. Morpheus : What is the Matrix? Control. The Matrix is a computer-generated dream world built to keep us under control in order to change a human being into this. [holds up a Duracell battery] Neo : No, I don't believe it. It's not possible. Morpheus : I didn't say it would be easy, Neo. I just said it would be the truth. [After landing the Nebuchaunezzer to hide from the Sentinels] Morpheus : How we doing Tank? [Tank types on the keyboard and the main power goes off] Tank : Main power offline. EMP armed... [Tank opens the cover to the EMP switch] Tank : and ready. Neo : EMP? Trinity : Electro-Magnetic Pulse, disables any electrical system within the blast radius, only weapon we have against the machines. Morpheus : Quiet. Movie Title: The Watcher (2000) as David Allen Griffin: David Allen Griffin : [to Dr. Polly Beilman] Do you think... some of your patients might pay to come see you because... you're very pretty. David Allen Griffin : Why did you turn away from me? Why was it so hard for you to accept? Cos you know I did it for you. You came so close to me that night. I remember clearly what I felt when I heard your footsteps falling behind me. Pride. I thought it would keep us together forever. For me it was our finest moment. I can still see the flames. [Joel surrenders his gun to David in the cemetery - they begin to walk and David has the gun pointing downwards - a loud bang is heard] David Allen Griffin : Wow. It's loaded. Movie Title: The Devil's Advocate (1997) as Kevin Lomax: Kevin Lomax : "Better to reign in Hell than serve in Heaven", is that it? John Milton : Why not? I'm here on the ground with my nose in it since the whole thing began. I've nurtured every sensation man's been inspired to have. I cared about what he wanted and I never judged him. Why? Because I never rejected him, in spite of all his imperfections. I'm a fan of man. I'm a humanist. Maybe the last humanist. [In Milton's Penthouse] Kevin Lomax : [quietly] Is there more to it? Eddie Barzoon : Just this room. Kevin Lomax : And a bedroom? Eddie Barzoon : No bedroom. Kevin Lomax : Where does he sleep? Eddie Barzoon : Who said he sleeps? Kevin Lomax : Where does he fuck? John Milton : [coming up to them] Everywhere. Kevin Lomax : Is this a test? Pam : Isn't everything? John Milton : Are we negotiating? Kevin Lomax : Always. Kevin Lomax : What about love? John Milton : Overrated. Biochemically no different than eating large quantities of chocolate. Alice Lomax : Let me tell you about New York. Kevin Lomax : Let me guess. Alice Lomax : Fallen, fallen, is Babylon the great. It has become a dwelling place of demons." Revelation 18. Wouldn't hurt you to look it over. Kevin Lomax : Couldn't forget it if I tried. Alice Lomax : Oh, really? And what *happened* to Babylon? John Milton : It's your wife, man. She's sick, she needs you... she's got to come first. Ah, wait a minute, wait a minute. You mean the possibility of leaving this case has never even entered you mind? Kevin Lomax : You know what scares me? I quit the case, she gets better... and I hate her for it. I don't want to resent her, John, I've got a winner here. I've got to nail this fucker down, do it fast, and put it behind me. Just get it done. Then - then. - put all my energy into her. John Milton : I stand corrected. Kevin Lomax : Ladies and gentlemen of the jury, I know you've spent all morning listening to Mr. Broygo talk; I know you're hungry; what I need to tell you won't take very long at all. I don't like Alexander Cullen. I don't think he's a nice person. I don't expect you to like him. He's been a terrible husband to all three of his wives; he's been a destructive force in the lives of his stepchildren; he's cheated the city, his partners, his employees... So I don't like him. I'm going to tell you some things during the course of this trial that are going to make you like him even less. But this isn't a popularity contest; it's a murder trial. Kevin Lomax : What are you? John Milton : Oh, I have so many names... Kevin Lomax : Satan. John Milton : Call me Dad. Kevin Lomax : In the Bible you loose. We're destined to lose dad. John Milton : Well consider the source son. Kevin Lomax : Lose? I don't lose! I win! I'm a lawyer, that's my job, that's what I do! John Milton : I rest my case. John Milton : Your vanity is well-placed. Your son will sit at the head of all tables. Kevin Lomax : The Anti-Christ? John Milton : [laughing] Whatever... Kevin Lomax : God damnit, what did you do to my wife? John Milton : Well, on a scale of one to ten... ten being the most depraved act of sexual theatre know to man... one being your average Friday night run-through at the Lomaxes' household... I'd say, not to be immodest, Mary Ann and I got it on at about... seven. John Milton : Are we treating you good. Kevin Lomax : Yeah, everything's been great. John Milton : We treat you with kindness, that's our secret [grins] Mary Ann Lomax : Say I can handle it. Kevin Lomax : You can handle it. Mary Ann Lomax : Say something nice. Kevin Lomax : Something nice. Movie Title: The Gift (2000) as Donnie: Donnie : She's a witch! She's putting spells on everybody in town! Donnie : I'm guilty of cheating on my wife, of being a bad husband and a bad Christian. Donnie : I asked her that myself one time. She said I was the only man in town that knew how to fuck. David : You're disgusting. Movie Title: The Replacements (2000) as Shane Falco: Shane Falco : Pain heals. Chicks dig scars. Glory... lasts forever. Shane Falco : I want the ball. Jimmy McGinty : Winners always do. Jimmy McGinty : You know what the difference is between a winner and a loser? Shane Falco : The score. Shane Falco : I wish I could say something classy and inspirational, but that just wouldn't be our style. Nigel 'The Leg' Gruff : Hey Shane Falco. I lost a ton of money on that Sugar Bowl disaster of yours. What a bloody shambles that was. You could smell the stink all the way back in bloody Wales. Shane Falco : Nice meeting you. Shane Falco : You, ah, wanna come on board for a beer? Annabelle Farrell : Nothing personal, Shane, but I don't date football players. Shane Falco : I don't blame you. Not even quaterbacks? Annabelle Farrell : Especially not quarterbacks. You guys are the biggest babies of all. Shane Falco : Why me? Jimmy McGinty : I look at you and I see two men: the man you are and the man you oughtta be. Someday those two men will meet, and it should make for one hell of a football player. Shane Falco : I think I'm just going to lie here for awhile Daniel Bateman : Work shit out, right? Shane Falco : Red. Means Stop. Shane Falco : [Shane parks his truck at the stadium and sees several of the former Sentinels approaching his truck] You gotta be kidding me. Come on Martel, I didn't park in your space. Eddie Martel : No, no. But unfortunately, you did park in La Mont's space. And he's not nearly as lenient as I am. Malcolm La Mont : On three fellas. One, two, three! [The former Sentinels tip over Shane's truck. Shane begins to walk away until Jamal and Andre step up] Andre Jackson : We got this, we got this. Jamal Jackson : Y'all wanna put the car back? Eddie Martel : Gentlemen, this is none of your business. Andre Jackson : Shane's our business. We're the guards. Jamal Jackson : And we protect our quarterback. [The former Sentinels all crack up laughing] Jamal Jackson : Oh, you got jokes. You got jokes. That's your ride right there, ain't it? [Jamal nods at a very expensive looking car] Eddie Martel : Yeah. [Jamal whips out a pistol and shoots at the car, leaving six bullet holes in the windshield] Eddie Martel : That's my windshield, you crazy mother... Jamal Jackson : Put the car back! Malcolm La Mont : Son of a bitch! Jamal Jackson : Son of a bitch? Oh, son of a bitch. Son of a bitch? Son of a bitch? [Jamal shoots the driver side window, shattering it] Eddie Martel : Stop, stop, stop! Come on goddamn it, help me! [Sentinels shove Shane's truck back over] Malcolm La Mont : You're gonna pay for that. Jamal Jackson : No I'm not. Stop messing with my man, and that includes his ride. Matter of fact, wax that muthafucka. Give it a tune up. [as if nothing has happened] Jamal Jackson : Ya ready to go to practice Shane? Shane Falco : Yeah. Let's do that. Andre Jackson : What's that smell? Shane Falco : Wild yam. Andre Jackson : That's nice. That's nice. [discussing fears] Shane Falco : Quicksand Clifford Franklin : Aw, shit yeah. Quicksand's a scary motha, man. I mean, first of all, it suck you right in, and even if you scream, you get all that muck in your mouth... Movie Title: Something's Gotta Give (2003) as Julian Mercer: Julian Mercer : You really are a very sexy woman. Erica Barry : No, really, swear to God, I'm NOT. Julian Mercer : Must we go through this every time? Come here. Julian Mercer : The woman is really very brilliant, but she cannot hold her liquor. Erica Barry : I like that about me. Harry Sanborn : Me too. [At the same time as Harry] Julian Mercer : Me too. Erica Barry : If I were writing this, this is where I would write "an awkward moment". Harry Sanborn : Honey, if you were writing this, I'd be DEAD! Julian Mercer : Look who's answering the door! Harry Sanborn : Look who's at the door! Julian Mercer : I knew you'd smell good. Erica : It's just... soap Julian Mercer : How great is it for you that im not intimidated by your brilliance? Movie Title: Much Ado About Nothing (1993) as Don John: Don John : I had rather be a canker in a hedge than a rose in his grace... If I had my mouth, I WOULD BITE. If I had my liberty, I would do my liking. In the meantime, let me be that I am and SEEK NOT TO ALTER ME. Movie Title: The Last Time I Committed Suicide (1997) as Harry: Harry : You must resign yourself to being extraordinary. Harry : Give me your shoe! I want to kiss the ground you walk on! Harry : Sometimes a little distraction's ... a good thing. Movie Title: Parenthood (1989) as Tod: Tod : You know, Mrs. Buchman, you need a license to buy a dog, to drive a car - hell, you even need a license to catch a fish. But they'll let any butt-reaming asshole be a father. Movie Title: The Matrix Revolutions (2003) as Neo: Agent Smith : Mr. Anderson. Welcome back, we missed you. [Agent Smith pauses and looks around at the multitude of clones he has created] Agent Smith : Like what I've done with the place? Neo : It ends tonight. Agent Smith : I know it does, I've seen it. That's why the rest of me is just going to enjoy the show because we already know that I'm the one that beats you. [to Bane/Smith, after he is blinded] Neo : I can see you. [talking to the machines] Neo : The program Smith has grown beyond your control. Soon he will spread through this city, as he has spread through the Matrix. You cannot stop him... but I can. Neo : What do you want? Bane : I want what you want... Yes. That's it, Mr. Anderson. Look past the flesh. Look through the soft gelatin of these dull cow eyes and see your enemy! Neo : ...No. Bane : Oh yes, Mr. Anderson. Neo : It can't be... Bane : There's nowhere I can't go. There's nowhere I won't find you. Neo : It's impossible...! Bane : Not impossible. Inevitable. Goodbye, Mr. Anderson. Trinity : If you tell me we'll make it I'll believe you. Neo : We'll make it. We have to. [from trailer] Neo : It's impossible. Bane : Not impossible. Inevitable. Agent Smith : Why, Mr. Anderson? Why do you do it? Why get up? Why keep fighting? Do you believe you're fighting for something? For more that your survival? Can you tell me what it is? Do you even know? Is it freedom? Or truth? Perhaps peace? Yes? No? Could it be for love? Illusions, Mr. Anderson. Vagaries of perception. The temporary constructs of a feeble human intellect trying desperately to justify an existence that is without meaning or purpose. And all of them as artificial as the Matrix itself, although only a human mind could invent something as insipid as love. You must be able to see it, Mr. Anderson. You must know it by now. You can't win. It's pointless to keep fighting. Why, Mr. Anderson? Why? Why do you persist? Neo : Because I choose to. [after Neo ends up back at the same subway stop after running down the track] Neo : Shit. Trinity : Six hours ago, I was ready to give my life for you. Do you know what has changed in the last six hours? Neo : No. Trinity : Nothing. Neo : It's been an honor, sir. Morpheus : No. The honor is still mine. Neo : You were right Smith. You're always right. It was inevitable. Neo : Who are you? Bane : Still don't recognize me? I admit it is difficult to even think encased in this rotting piece of meat. The stink of it filling every breath, a suffocating cloud you can't escape. Disgusting. How pathetically fragile it is. Nothing this weak is meant to survive. [Bane has burned Neo's eyes out] Neo : I'm all right, Trin... but I think you're gonna have to drive. Bane : Ah, Mr. Anderson, I see you are as predictable in this world as you are in the other. Neo : What? Trinity : He's out of his mind. Bane : It may appear that way to you, but Mr. Anderson and I know that appearances can be deceiving. [Neo wants to take the Hammer to the machine city] Roland : This is asinine. If you want to kill yourself, go ahead, but do it without wasting one of our ships. Neo : You have to believe me. I have to go. Roland : Bullshit. I'm captain of this ship, *I'll* say where it has to go. And believe me, this ship will go to hell long before I let you take it anywhere! Movie Title: Flying (1986) as Tommy: Tommy : She said she didn't want me to wear clothes like this in her class. So I took 'em off. Robin : You didn't. Tommy : Yah, right down to my underwear. Miss Bukowski turned this really neat shade of purple. It was kind of artistic. Tommy : From now on, I'm a free agent. Look out girls, it's open season on Tommy Wernicke! Movie Title: Permanent Record (1988) as Chris: Chemistry teacher : Did you do that on purpose? Chris : You think I'm trying to blind myself on purpose? No, I'm not. Chris : I egged your house once when I was a sophomore. I'm, like, apologizing. Mr. Verdell: I'm like, accepting. David : You have a Dad? Chris : Every once in a while. Chris : Act like you own the place. David : How will you act? Chris : Like I just sold it to you. |
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