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![]() Rod Taylor QuotationMovie Title: The Glass Bottom Boat (1966) as Bruce Templeton: Edgar Hill : I want to talk to you a minute. Those phone calls, there is no question about it. She's an agent, operating for the- Bruce Templeton : She's no more an agent than you are! And if you're the best the CIA can come up with, this country is in big trouble! Edgar Hill : Now look here! We'll have to detain her. Bruce Templeton : Mrs Nelson can leave here whenever she wishes! Edgar Hill : What's that noise? Bruce Templeton : What? Oh, well I locked her in the closet. Jennifer Nelson : Hey! What in heavens name do you think you're doing? Bruce Templeton : You talkin' to me? Jennifer Nelson : Yes I'm talking to you! That's my suit on your line! Bruce Templeton : Oh I'm sorry.. that's a funny looking suit. Jennifer Nelson : It's my mermaid tail. and would you please throw it back? Bruce Templeton : Well it's kind of difficult. it's all tangled. Why don't you come aboard, and I'll untangle it for you Jennifer Nelson : Well THAT's a little difficult too, since I'm BOTTOMLESS! Bruce Templeton : Hey! You're the mermaid Jennifer Nelson : Yes, I'm the mermaid Bruce Templeton : Didn't recognize you with your clothes on. Movie Title: Hotel (1967) as Peter McDermott: Peter McDermott : A sure way to empty a hotel fast: drop an elevator. Movie Title: The Birds (1963) as Mitch / Mitch Brenner: Melanie Daniels : In case you're wondering, I was pushed into that fountain... Mitch Brenner : With no clothes on? Melanie Daniels : With all my clothes on. The newspaper that printed that story is a rival of my father's... Mitch Brenner : Oh and you're just a poor, innocent bystander? Melanie Daniels : Well I'm neither poor nor innocent, but the truth of that particular incident is... Mitch Brenner : Truth is you were running with a pretty wild crowd, weren't you? Melanie Daniels : Well yes, that's the truth, but I was pushed into that fountain and that's the truth, too! Mitch Brenner : You don't really expect me to believe that, do you? Melanie Daniels : Oh, I don't give a damn what you believe! Mitch Brenner : I'd still like to see you. Melanie Daniels : Why? Mitch Brenner : I think it might be fun. Melanie Daniels : Well it may have been good enough in Rome, but it's not good enough now. Mitch Brenner : It's good enough for me. Melanie Daniels : Well it's not for me. Mitch Brenner : Well what is it you do want? Melanie Daniels : Oh, I thought you knew. I want to go around jumping into fountains naked. Good night! Mitch : What do you want? Melanie Daniels : I thought you knew. I want to go throughout life jumping into fountains naked. Melanie Daniels : Just what is it you're looking for, sir? Mitch Brenner : Lovebirds. Melanie Daniels : Lovebirds, sir? Mitch Brenner : Yes. I understand there are different varieties. Is that true? Melanie Daniels Oh yes, there are. Mitch Brenner : Well, uh, these are for my sister, for her birthday, see, and uh, as she's only gonna be eleven, I, I wouldn't want a pair of birds that were... too demonstrative. Melanie Daniels I understand completely. Mitch Brenner : At the same time, I wouldn't want them to be too aloof, either. Melanie Daniels No, of course not. Mitch Brenner : Do you happen to have a pair of birds that are... just friendly? Mitch Brenner : I just thought you might like to know what it's like to be on the other end of a gag. What do you think of that? Melanie Daniels : I think you're a louse. Mitch Brenner : I am. Mitch Brenner : I'd like to see you. Maybe we could go swimming or something. Mother tells me you like to swim. Melanie Daniels : How does Mother know what I like to do? Mitch Brenner : I guess we read the same gossip columns. Melanie Daniels : On Mondays and Wednesdays I work for the Travelers Aid at the airport. Mitch Brenner : Helping travelers? Melanie Daniels : No, misdirecting them. Movie Title: One Hundred and One Dalmatians (1961) as Pongo: Pongo : [voiceover] My story begins in London, not so very long ago. Yet so much has happened since then, that it seems like an eternity. Pongo : [voiceover] As far as I could see the old notion that "a bachelor's life was so glamorous and carefree" was all nonsense. It was downright dull. [Pongo sees Perdita for the very first time] Pongo : Well, now that's a bit more like it! The most beautiful creature on four legs! Pongo : Perdita, darling, are you alright? Perdita : Oh, of course, dear. After all, dogs were having puppies long before our time. Pongo : Everybody here? All fifteen? Patch : Twice that many Dad. Now there's 99 of us! Pongo : That's the stuff! The blacker the better! Movie Title: Dark of the Sun (1968) as Curry: Curry : The gun's Chinese Ruffo, paid for by Russian rubles. The steel probably came from a West German factory built by French francs. Then it was flown out here on a South African airline probably subsidized by The United States. I don't think he got very far. Movie Title: The Time Machine (1960) as George: George : When I speak of time, I'm speaking of the fourth dimension. George : What have you done? Thousands of years of building and rebuilding, creating and recreating so you can let it crumble to dust. A million years of sensitive men dying for their dreams... FOR WHAT? So you can swim and dance and play. Movie Title: Outlaws (1986) as John Grail: [While gearing up for battle, every episode.] John Grail : Let's do it. Wolf : Amen! Ice : Slow and easy... Harland : ...but all the way. Billy : To the hilt. Movie Title: The Train Robbers (1973) as Grady: [First scene -- Lane has summoned his gun-toting friends to a rendezvous] Grady : Alright, what's it all about, Jess? Jesse : Beats me. All Lane said was meet him here at the train stop. It'd be worth it. Calhoun : To him or us? Grady : Oh, what difference does it make? It's something to do, isn't it? [last lines] Grady : Where you goin'? Lane : Where the hell do you suppose? To rob a train! Jesse : Rob a train? Grady : It's something to do! Movie Title: Chuka (1967) as Chuka: Helena Chavez : Tell me Señor, are you as bad as they say? Chuka : No man is as bad as they say, Señorita. |
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