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    Amy Madigan Quotation


    "I wanted to be a boy when I was young because boys got to do all the good stuff. So I became very aggresive and very competitive at a young age."

    "The music business is rougher than the movie business. In film you get noticed in a small role, even in a movie that bombs. But in records you better have that hit or else it's 'See you later.'"




    Movie Title: Twice in a Lifetime (1985) as Sunny:



    Sunny : Hey Dad. This is Kate. Your wife.
    Harry : I sure as hell know who my wife is.
    Sunny : I sure as hell would like to know who this is.
    Harry : That's Miss Minelli, if you must know and in case it's any of your business which it is not.
    Sunny : Which I'm here to tell you it is.

    Movie Title: The Prince of Pennsylvania (1988) as Carla Headlee:



    Carla Headlee : You are like some stray dog I never should have fed.


    Carla Headlee : Most of the time you're in a fantasy world, Rupert.
    Rupert Marshetta : Most of the time, you're stoned.
    Carla Headlee : I got my reasons.
    Rupert Marshetta : Name twelve.





    Movie Title: Streets of Fire (1984) as McCoy:



    McCoy : I've been a soldier, 'til I ran out of wars.


    McCoy : Everywhere I go, there's always an asshole.


    McCoy : Some people that never talk about their feelings got 'em deeper than anybody. Other people never talk about their feelings 'cause they ain't got any.


    McCoy : You wanna change this tire, shorty?
    Billy Fish : Changing tires isn't exactly my line of work dear.
    McCoy : Then why don't you just shut up!


    McCoy : You know some of you guys have some cute little asses. It'd be a real shame if I had to blow'em off.





    Movie Title: Carnivàle (2003) as Iris:



    Justin : Do you know that there is a boy here whose mother abandoned him in the restroom of a Five and Dime?
    Iris : No, but...
    Justin : Or that Polly Ann's father sold her to some men for one dollar? No. No, of course not. Who wants to dwell on things like that? We never consider the little ones. We only put on our clothes. Who can see the children feeding the endless, ravenous hunger of the textile mill, mechanical mouths that aren't choosey: silk and thread, a lock of hair, a scrap of scalp, tiny, torn fingers. We only turn up the heat. Why think of the boys in the mines crouched over the chutes? For hours they sit, sifting the refuse from the coal, their backs bent. Old men by nine, black lung by twelve. Coal is heavy and hard, hands are soft and fragile; crushed, feet crushed, skulls crushed. Go for a walk; you see them. Poisoned girls selling themselves to men and women. A nickel buys a virgin; some are kept in cages. Babies, bought by men who raise them as livestock. Animals to abuse, soft flesh to violate, to tear and bite! 'If anyone causes even one of the little ones who believe in me to sin, it would be better for him to have a large millstone hung around his neck and be damned in the depths of the sea!' They must open their eyes! They must open their mouths and drown!





    Movie Title: Field of Dreams (1989) as Annie Kinsella:



    Annie Kinsella : Hey, what if the Voice calls while you're gone?
    Ray Kinsella : Take a message.


    Annie Kinsella : If you build what, who will come?
    Ray Kinsella : He didn't say.


    Ray Kinsella : I think I know what "If you build it, he will come" means.
    Annie Kinsella : Ooh... why do I not think this is such a good thing?
    Ray Kinsella : I think it means that if I build a baseball field out there that Shoeless Joe Jackson will get to come back and play ball again.
    Annie Kinsella : [staring in disbelief] You're kidding.
    Ray Kinsella : Huh-uh.
    Annie Kinsella : Wow.
    Ray Kinsella : Yeah.
    Annie Kinsella : Ha. You're kidding.


    Annie Kinsella : [trying to understand the situation] I mean, Shoeless Joe...
    Ray Kinsella : He's dead. Died in '51; he's dead.
    Annie Kinsella : He's the one they suspended, right?
    Ray Kinsella : Right.
    Annie Kinsella : He's still dead?
    Ray Kinsella : Far as I know.


    Ray Kinsella : The Voice is back.
    Annie Kinsella : Oh, Lord. You're supposed to build a football field now?


    Ray Kinsella : [about the reclusive Terence Mann] OK, the last interview he ever gave was in 1973. Guess what it's about.
    Annie Kinsella : Some kind of team sport.


    Annie Kinsella : At least he is not a book burner, you Nazi cow.


    Annie Kinsella : All right, Beulah, do you want to step outside?

    [Ray explains Terence Mann's "pain" to Annie]
    Ray Kinsella : The man wrote the best books of his generation. And he was a pioneer of the Civil Rights and the anti-war movement. I mean, he made the cover of Newsweek. He knew everybody. He did everything. And he helped shape his time. I mean, the guy hung out with The Beatles! But in the end, it wasn't enough. What he missed was baseball. [Annie looks at Ray's notes]
    Annie Kinsella : Oh, my God!
    Ray Kinsella : What?
    Annie Kinsella : As a small boy, he had a bat named Rosebud.

    [Ray and Annie are talking on the phone]
    Ray Kinsella : Hey, Annie. Guess what? I'm with Terence Mann!
    Annie Kinsella : Oh, my God! You kidnapped him!


    Mark : You're going to lose your farm, pal.
    Ray Kinsella : Come on, it's so big - I mean, how can you lose something so big?
    Annie Kinsella : He misplaced the house once.
    Ray Kinsella : Yeah, but it turned up two days later, didn't it?





    Movie Title: Uncle Buck (1989) as Chanice Kobolowski:


    [Chanice is listening to an answering machine message from Buck]
    Buck : I think about those two little dimples on your buns. Hahaha.
    Chanice Kobolowski : Dimples!
    Buck : What do we call them? One... one was on the right, 'was Lyndon and left was...
    Chanice Kobolowski : It's Johnson.
    Buck : Johnson. [Chanice laughs]
    Buck : And then there was your boobs we did. Now, your boobs were Minnie and Mickey, I remember that because of Disneyworld. And Felix! Felix is what we called your... [cut to the next scene, where a cat meows loudly]





    Movie Title: Female Perversions (1996) as Madelyn Stevens:



    Madelyn Stevens : I steal to stop me from killing myself.





    Movie Title: The Day After (1983) as Alison Ransom:


    [Intercontinental ballistic missiles are being fired]
    Alison Ransom : What's going on?
    Joe Huxley : Those are Minuteman missiles!
    Alison Ransom : Like a test, sort of... like a warning?
    Joe Huxley : They're on their way to Russia. They take about thirty minutes to reach their target.
    Aldo : So do theirs, right?

       
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